Due to Karl Marx’s frequent references in his political treatises, Shakespeare held a significant place in a number of communist and other left-authoritarian countries, including China and the USSR. And although there were themes in Shakespeare that turned out to be inconvenient for communist ideology, other Shakespearean plays were put into service. This volume explores the vicissitudes of artistic and political uses of Shakespeare in Soviet culture and ideology after the October Revolution in 1917, including in some of the continuing resonances of those uses since the collapse of the Soviet Union.